Inspiration! Aka, On Good Writing

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Inspiration! Aka, On Good Writing ( )

Postby aeleon on Tue May 19, 2009 3:48 pm

Basically, I want this place to house quotes and things that make everyone think about how good you wish you wrote, or how awesome good writing is.

This idea came to me while I was reading "Who is Mark Twain?" by the literary genius himself; I got to a chapter that I loved so much, I read it over and over again, and thought it more awesome every time. I even posted it to the chat, but it probably got lost in the conversation.

Something this inspiring, at least to me, should be recognised, and so I say to you - revel in beautiful writing that deserves to be acclaimed!

COPYRIGHT
Who is Mark Twain? by Mark Twain. Copyright 2009 by Harper Collins.

Conversations with Satan

It was being whispered around that Satan was in Vienna incognito, and the thought came into my mind that it would be a great happiness to me if I could have the privilege of interviewing him. “When you think of the Devil” he appears, you know. It was past midnight, I was standing at the window of my work-room high aloft on the third floor of the hotel, and was looking down upon a stage-setting which is always effective and impressive at that late hour: the great vacant stone-paved square of the Morzin Platz with its sleeping file of cab-horses and drivers counterfeiting the stillness and solemnity of death; and beyond the square a broad Milky Way of innumerable lamps bending around the far-reaching curve of the Donau canal, with not a suggestion of life or motion visible anywhere under that glinting belt from end to end. If the square and the curve were dim or dark, the impressiveness would be wanting; but the multitudinous lights seem to belong properly with life and energy and the roar and tumult of traffic, and these being now wholly absent, the resulting impression conveyed to the spirit is that they have been suddenly and mysteriously annihilated, and that this brooding midnight silence and solemnity are the signs and symbols of the tragedy that has happened.

Now, with a most strange suddenness came an inky darkness, with a stormy rush of wind, a crash of thunder and a glare of lightning; and the glare vividly revealed the figure of a slender and shapely gentleman in black coming leisurely across the empty square. By his dress he was an Anglican Bishop; but I noticed that he cast a shadow. That gave him away, as Goethe phrases it; for by the ministrations of lightning no legitimate Anglican Bishop can do that—nor can any other earth-born creature, for that matter. This person was Satan. I knew it. It was in his honor that the sudden storm had been summoned and its thunders delivered in salute. It was inspiring, it was uplifting, this sublime ceremonial. If I had been a monarch it would have spoiled, for one while, my satisfaction in my little artillery salutes. And yet I would have tried to be properly philosophical, and ease and content myself with the reflection that the honors had been fairly and justly proportioned to the difference existing between Satan’s importance and mine, I being but a passing and evanescent master of a limited patch of empire, and he the long-term master of the majority of the human race.


That's only a section of it. I wish everybody wrote like this - not terribly complicated, but still poetic and beautiful!

Here's an awesome poet, Taylor Mali, talking about the awesomeness of good writing:

Speak With Conviction
The the Impotence of Proofreading

The latter I believe to be very relevant to our interests.

Post on! Give me examples of beautiful writing, so it can lift our spirits and inspire us to heighten our standards!
As you recall, you know I love to show off,
But you never thought that I would take it this far.
What do you know?


Fancy a Butcher's?
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aeleon
Member for 6 years



Re: Inspiration! Aka, On Good Writing ( )

Postby Alacer Phasmatis on Tue May 19, 2009 4:39 pm

Excerpts from Alfred Lord Tennyson's Idylls of the King


[Guinevere is talking first]

'To blame, my lord Sir Lancelot, much to blame!
Why go ye not to these fair jousts? the knights
Are half of them our enemies, and the crowd
Will murmur, "Lo the shameless ones, who take
Their pastime now the trustful King is gone!"'
Then Lancelot vext at having lied in vain:
'Are ye so wise? ye were not once so wise,
My Queen, that summer, when ye loved me first.
Then of the crowd ye took no more account
Than of the myriad cricket of the mead,
When its own voice clings to each blade of grass,
And every voice is nothing. As to knights,
Them surely can I silence with all ease.
But now my loyal worship is allowed
Of all men: many a bard, without offence,
Has linked our names together in his lay,
Lancelot, the flower of bravery, Guinevere,
The pearl of beauty: and our knights at feast
Have pledged us in this union, while the King
Would listen smiling. How then? is there more?
Has Arthur spoken aught? or would yourself,
Now weary of my service and devoir,
Henceforth be truer to your faultless lord?'

She broke into a little scornful laugh:
'Arthur, my lord, Arthur, the faultless King,
That passionate perfection, my good lord--
But who can gaze upon the Sun in heaven?
He never spake word of reproach to me,
He never had a glimpse of mine untruth,
He cares not for me: only here today
There gleamed a vague suspicion in his eyes:
Some meddling rogue has tampered with him--else
Rapt in this fancy of his Table Round,
And swearing men to vows impossible,
To make them like himself: but, friend, to me
He is all fault who hath no fault at all:
For who loves me must have a touch of earth;
The low sun makes the colour: I am yours,
Not Arthur's, as ye know, save by the bond.
And therefore hear my words: go to the jousts:
The tiny-trumpeting gnat can break our dream
When sweetest; and the vermin voices here
May buzz so loud--we scorn them, but they sting.'

Then answered Lancelot, the chief of knights:
'And with what face, after my pretext made,
Shall I appear, O Queen, at Camelot, I
Before a King who honours his own word,
As if it were his God's?'






Excerpts from Edgar Allen Poe's The Black Cat
FOR the most wild, yet most homely narrative which I am about to pen, I neither expect nor solicit belief. Mad indeed would I be to expect it, in a case where my very senses reject their own evidence. Yet, mad am I not -- and very surely do I not dream. But to-morrow I die, and to-day I would unburthen my soul. My immediate purpose is to place before the world, plainly, succinctly, and without comment, a series of mere household events. In their consequences, these events have terrified -- have tortured -- have destroyed me. Yet I will not attempt to expound them. To me, they have presented little but Horror -- to many they will seem less terrible than barroques. Hereafter, perhaps, some intellect may be found which will reduce my phantasm to the common-place -- some intellect more calm, more logical, and far less excitable than my own, which will perceive, in the circumstances I detail with awe, nothing more than an ordinary succession of very natural causes and effects.

From my infancy I was noted for the docility and humanity of my disposition. My tenderness of heart was even so conspicuous as to make me the jest of my companions. I was especially fond of animals, and was indulged by my parents with a great variety of pets. With these I spent most of my time, and never was so happy as when feeding and caressing them. This peculiarity of character grew with my growth, and, in my manhood, I derived from it one of my principal sources of pleasure. To those who have cherished an affection for a faithful and sagacious dog, I need hardly be at the trouble of explaining the nature or the intensity of the gratification thus derivable. There is something in the unselfish and self-sacrificing love of a brute, which goes directly to the heart of him who has had frequent occasion to test the paltry friendship and gossamer fidelity of mere Man.

.......

Beneath the pressure of torments such as these, the feeble remnant of the good within me succumbed. Evil thoughts became my sole intimates -- the darkest and most evil of thoughts. The moodiness of my usual temper increased to hatred of all things and of all mankind; while, from the sudden, frequent, and ungovernable outbursts of a fury to which I now blindly abandoned myself, my uncomplaining wife, alas! was the most usual and the most patient of sufferers.

One day she accompanied me, upon some household errand, into the cellar of the old building which our poverty compelled us to inhabit. The cat followed me down the steep stairs, and, nearly throwing me headlong, exasperated me to madness. Uplifting an axe, and forgetting, in my wrath, the childish dread which had hitherto stayed my hand, I aimed a blow at the animal which, of course, would have proved instantly fatal had it descended as I wished. But this blow was arrested by the hand of my wife. Goaded, by the interference, into a rage more than demoniacal, I withdrew my arm from her grasp and buried the axe in her brain. She fell dead upon the spot, without a groan.

This hideous murder accomplished, I set myself forthwith, and with entire deliberation, to the task of concealing the body. I knew that I could not remove it from the house, either by day or by night, without the risk of being observed by the neighbors. Many projects entered my mind. At one period I thought of cutting the corpse into minute fragments, and destroying them by fire. At another, I resolved to dig a grave for it in the floor of the cellar. Again, I deliberated about casting it in the well in the yard -- about packing it in a box, as if merchandize, with the usual arrangements, and so getting a porter to take it from the house. Finally I hit upon what I considered a far better expedient than either of these. I determined to wall it up in the cellar -- as the monks of the middle ages are recorded to have walled up their victims.

For a purpose such as this the cellar was well adapted. Its walls were loosely constructed, and had lately been plastered throughout with a rough plaster, which the dampness of the atmosphere had prevented from hardening. Moreover, in one of the walls was a projection, caused by a false chimney, or fireplace, that had been filled up, and made to resemble the rest of the cellar. I made no doubt that I could readily displace the bricks at this point, insert the corpse, and wall the whole up as before, so that no eye could detect any thing suspicious.

And in this calculation I was not deceived. By means of a crow-bar I easily dislodged the bricks, and, having carefully deposited the body against the inner wall, I propped it in that position, while, with little trouble, I re-laid the whole structure as it originally stood. Having procured mortar, sand, and hair, with every possible precaution, I prepared a plaster which could not be distinguished from the old, and with this I very carefully went over the new brick-work. When I had finished, I felt satisfied that all was right. The wall did not present the slightest appearance of having been disturbed. The rubbish on the floor was picked up with the minutest care. I looked around triumphantly, and said to myself -- "Here at least, then, my labor has not been in vain."

...... and it continues, although not here ;)
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FRREEEEEEEDOOOOOOOOOOOOOOOOOOOOOM!!!
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Alacer Phasmatis
Member for 4 years



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