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Tahira Ali wrote:The twenty-ninth day of the fifth month in the year of our Lord two thousand and ninteen [sic]
May the grace and peace of the Lord be with you. Tahira Ali, daughter of Shasta Wadiri Almontaser, to Carlos Hodgson, beloved, dearest friend. May this letter find you in good health and prosperous times.
It was much labor I put into the writing of this epistle, for I feared you might not even open the envelope to see what words I may have to say to you. But yearning won out over fear, and so with great ardor I have penned this, in the most difficult of times. It was long coming, my own understanding of self, and instigated during my own interrogation six years earlier (the question asked concered [sic] the nature of my greatest fear), but now that I think I know what it is I most fear, I have no other recourse but to write you directly.
Though the years are many since I last saw you, and you I, I find it imparative [sic] we meet again, even as I am imprisoned in America. I have been condemned by man and the date of my death is imminent. They say it is close coming, and I know it shall come to pass. The mercy of God is infinite; that of man capricious and wary. But I ask not your mercy, nor your forgiveness. I ask only your presence. If nothing more, beloved, I believe I deserve at least that.
I have been told that in order to initiate this process, you must fill out the attached paperwork and return it to the prison authorties [sic]. Please, do not tarry, the date they have set is the twenty-first day of the eigth [sic] month of this same year. And if you should choose not to see me, then, kindly offer me the courtecy [sic] of a response.
Grace and peace be multiplied unto you, in the name of the Lord God.
Tahira Ali,
signed and sealed this twenty-ninth day of the fifth month



Treali Storm wrote:If anyone decides to use anyone else's profile or template, I think it would be common courtesy to credit whomever had the original idea, whether it is me or not.



The name Smára is pronounced first with a slight smacking of the lips, like the “sma” in smack. But then the voice suddenly lowers in pitch to growl the “r” before pronouncing the final “a” gently. The stress lies in the first syllable. I have tried time and time again to pronounce it correctly, but human vocal chords are not made for such bestial sounds as a growl.
Female, an unfortunate position to be in this primitive society.
It is difficult to determine the species, as there are no records of such a creature, but I have dubbed them the name vampyre, or Nosferatu wampyrus, for the heavy symbolism with blood in their culture and their nocturnal nature. They call themselves the Shadow People, or Shagrassi.
Her body is smooth and agile as a cat in the moonlight, her enormous, bat like wings hang like folded shadows that cling underneath the scraggly trees of her savannah home. She has skin rich and deep as ripe charcoal, save for the symbol that scars her shoulder and binds her freedom as surely as steel chains- primitive lines that represent claws tearing deep into the face of the full moon like the name of her master, Moon Scratcher. But her body is poised and smooth, like a house cat sitting on a fence, never betraying her humble fate of servitude. Even the way she dips the bag into the river is like the movements of water itself. Her feline eyes are like golden honey, the thin, catlike pupils large and almost round in the darkness. Her large ears swivel this way and that like a fox, attentive to every sound, every rustle in the dry grass behind her. She curls her long, sinuous tail around her leg as she crouches at the moist river bank, and the fleshy, spaded tip flicks away an irritating insect. The thin claws on her toes grip the moist earth, then retract again into the smooth skin like those of a cat.
The woman straightens, the many beads at her neck jangling against the thick leather collar embroidered with carved bone. It ties her to her fate, just as the thick leather bands around her wrists, and the scars that crisscross her back and overlap scars of another time, a happier age when she was free. They are beautiful scars, these echoes of her freedom, intricate tattoos like patterned alligator skin on her back, her stomach, her breasts…symbols of her fertility and motherhood. The family she once had. But that is all in the past, and she twists closed the neck of the bag made from a cow’s stomach with thin, clawed fingers. Her work here is done, and it is a long journey home.
Smára is resilient, stubborn, and willing to risk any and all to return to her family. She has taught me, an utter stranger and fellow slave, a human no less, her language and her culture. She is even willing to learn my language. She doesn’t look at me with disgust or pity. In fact, it is perhaps because of her that the thirst for freedom still burns within me. Even though it is difficult to admit this to myself, I must say that if it weren’t for her insistence, her enthusiasm and passion, I would have the same hollow gaze in my eyes as the other slaves. She is understanding, willing to listen to my problems (when I finally gather the courage to tell them), and she resists the bonds of slavery. She refuses to be broken, and even in the presence of the chieftain there is a fire in her eyes though she keeps her head respectfully bent. She is no fool.
…It suddenly occurred to me that I had never asked her about her past life before slavery. We had always talked about me.
“What are they like?”
“My family? I have good husband who cares for me, and two strong sons. Big rains have passed six times since their birth, and they starting to fly when I was taken.” A pained expression passed her face, but it was gone so suddenly that I thought maybe I was imagining it.
“What happened?” I picked up some dry grass and starting ripping it. She sighed, her accent thick with emotion as she smiled.
“It was beautiful night. Grahair played with little Kigrr and Shagrow, and I watched.” She slipped into her own language as her eyes grew bright and wet with tears. “The stars were out, the night as dark and smooth as my husband’s black skin. But then Grahair heard hunters in the rustling grass, and he left the children to investigate. A monster with crimson markings of blood painted on his body and a long, silver scar slashed over his face pounced on Grahair with a mighty roar that paralyzed the children with fear.” I let the pieces of grass fall through my fingers, my throat tight when Smára described Kramptr.
“I could not stay to watch my husband fight,” she continued. “I took the children and flew with them to a secret place. I left them there, they knew to stay hidden, and I returned to where my husband was. The raiders were everywhere, taking women, children, cattle, destroying what they couldn’t take, and before I reached my love the monster Grouthrr took me.” My gut twisted as I pictured the scene. The village shrouded with darkness as monsters decorated with grisly war paint wreaked havoc in the peaceful village. Men dying as they tried to protect their homes and their families, and the women, children, and animals are taken as prizes for the victors to do with as they will. Terror runs like blood through the panicked chaos that reigns in the village, and fire sides with the enemy as homes are burnt down and destroyed. Families are rent apart, and many are lost to the wicked dagger claws and teeth of the victors. How terrible must it be not to know if a loved one is alive or dead. The ache in the heart that never leaves, was it worse than knowing their grisly fate?
The creatures I have dubbed vampyres are given many names…The Cold Ones, the [naga] serpents call them. The elves- Lostha, or Shadow People. Wherever one goes on this vast continent, their names are whispered with a mixture of revulsion and fear, and a trading caravan may never cross the plains without weapons and goods to exchange for safe passage.
Vampyres are nomadic creatures, roaming from one area to the next as food and green pastures are in good supply. They herd cattle, a sturdy, nimble giant of a breed which they call Grrha. The Grrha are an essential part of Vampyre life and culture, and the vampyre never wastes any part of the beast. The men drink the animal’s blood mixed with its milk for strength, eat the meat during times of scarcity, trade the animals for wives. The more cattle a man has, the wealthier and more prestigious he is in society, because then he can afford more wives and slaves. The hides of the cattle are used for the tentlike huts known as hoshgr, clothing, and even the cow’s stomachs are used as water skins. Even the skeleton, bleached white in the sun, never goes to waste. The bones are carved for use in jewelry, needles, tools, and instruments, and they form the all important symbol of eternity in the bone beads that are sewn into the collars of slaves.
While vampyre scrimshaw is highly valued amongst traders in markets such as the one in Marrakesh, vampyres are also known for their eclectic way of life. They have no weapons, for they have lethal fangs, claws like needles, and the men have two barbs hidden in the fleshy tips of their spaded tails that can flick out like the claws of a cat with deadly accuracy. They are creatures built for killing, shadows in the darkness that can strike a fatal blow before their prey had even realized what happened. Their great wings are powerful tools, and a favorite strategy is gliding like a giant bat in the night sky to suddenly freefall onto the unsuspecting prey like a hawk. When first I saw such a feat I was breathless with wonder, for it is truly amazing to see such a large creature suspended in the air on such delicate membranes. Who would have thought that it was possible to have a creature that stands at little over five feet on its hind legs, almost sixty pounds, with the ability to fly?
A vampyre’s feline nature gives them other abilities as well…The large, almost batlike ears are excellent for capturing sound, and they have an acute sense of smell like that of a cat. They are incredibly flexible and agile, and far stronger than they appear because of the pure, wiry muscle. They can easily lift me, a two-hundred pound man, and throw me against the ground with hardly any more effort than if I were a child, though their small size complicates this somewhat. Lifting me during flight, however, is impossible, for not only would they never get off the ground, they may very well strain their muscles and even break the fragile wing digits.
A vampyre’s main weaknesses are its sensitive hearing, the delicate wings, and the nocturnal eyes, which are highly sensitive to light. Pulling on the prehensile tail is also painful, though touching it holds no more embarrassment to them than holding a hand. The tail is in fact as necessary to a vampyre as their hands, and they use it for balance as well as everyday use such as holding objects. In fact, since slaves and those of lesser status walk on all four limbs when someone of higher status is present (a problem I encounter often since the human body is not built that way), a vampyre will use its tail as often as its hands, and it is not uncommon to see the flexible appendage coiled around a bowl, a bag, or some other item like that of a monkey.
Blodrekka rolled out the walls onto the ground near the edge of what the village would be, and the children inspected the thin, crisscrossed slats for any cracks or weaknesses. Seeing none, Blodrekka, Bein, and I carefully lifted the walls so they stood upright and I walked until they formed a circular shape. Bein lashed the doorframe to the two edges of the wall, and I watched as she tightened the leather thongs so that wide strips of leather were firmly secured around the wooden skeleton of wall. It wouldn’t do to have the wall expanding with the weight of the roof, so the wide bands wrapped tightly around the top and middle of the dwelling.
My master ordered me to hold a support for the wooden ring that would be the center of the roof, the smoke hole, and I held the support pole firmly while Blodrekka and Bein lashed down the thin strips of wood that made the roof. Occasionally one would fall, and I bit back a growl as the pole hit my shoulder as it fell. Once the roof had been set in place and the support pole was no longer needed, I helped my masters drag the heavy, tent like covering over the skeleton of the hoshgr.
“Don’t let it snag on the poles,” Blodrekka warned, and I was particularly careful when I coaxed the hide’s edge over the center hole with an extra shaft of wood.
Vampyres have little use for clothing in the heat of the African plains, for it would only hamper their movement and freedom necessary for flight. Clothing is limited and simple, often made with treated animal hides and embellished with bone. Men wear little else other than a sort of skirt made from animal hide stretched over their hips called a hishki, often heavily decorated with carved beads of bone, some even died varying hues of red, blue, or yellow. Women wear the hishki as well, and those who are married also wear a hide to cover their breasts, which is attached to something like a bone necklace. There are no ties to support the back of the crude top, for that would limit the movement of their wings.
Jewelry is popular among the women, especially younger generations, and the more carved necklaces one has jangling around her slender neck the better. Each necklace often represents something such as a particular skill or role in society, how many children, her loyalty to her husband, etc…Smára has quite a few necklaces of carved bone from her past: one representing her skill as a seamstress, another with bone dyed red to show her love for her husband and the two sons she bore him. Other necklaces show her birth and how many seasons have passed, and another was one her husband had made for her and gave her during the marriage ceremony.
Other forms of jewelry are arm bands, wrappings for their tails, and even bone piercings. The males usually participate in the latter more often than the females, and it is common to see carved bone pierced through an ear or wing membrane, sometimes through the skin on the male’s chest. But far more common than bone piercings is scarification. It is used most often as a test of strength or rite of passage. When a young male reaches maturity there is a special ceremony in which varying tests of strength are performed. One of those tests is to cut patterns into the skin, and the more numerous and intricate the patterns the stronger he is considered to be. Depending on how the wounds are scratched out, they may heal as small, nearly inconspicuous scars for detailed work, or large, protruding blemishes that advertise a male’s strength and daring. The scars are rather similar in appearance to crocodile skin or dragon’s scales, and the small, raised bumps may align together like scales on a man’s back, coil around a shoulder, and twist in intricate patterns along the torso, arms, and legs.
Women also participate in this practice, but for them the scars are more a symbol of luck and good fortune, a means of aiding their fertility and blessing them with sons for their husband. During the marriage ceremony, a woman will receive patterned scars along her back, her breasts, and her stomach, and when the woman is about to give birth to a child white mud will be painted over these scars to give them [the scars] power and ease her suffering (though medicinal herbs are also used for the same purpose).
For slaves such as Smára and myself scars hold another meaning. They are like a branding, a sign of ownership…and my master carved the symbol of his name on my shoulder with his own claws, a scar that shows me and everyone who sees it that I belong to him. Each symbol is different depending on the master- mine is reminiscent of a drop of blood, for Blood Drinker, and the scar on Smára’s shoulder represents the full moon with three claws rending through it. The lines are simple and primitive, only limited circles and straight lines, but their meaning is all too clear…
Said to a lot of people"I am me and nothing more, and I am proud of what I am."
Said to the Ronnin that attacked the Gambit's Bar completely at random, the last thing the Ronnin heard.You shouldn't think of me as a monster. I'm just doing what I have to do and make sure that I hurt few, there's no need for innocent blood to be shed.
Said oftenTruly if there is evil in this world... It lies within the heart of mankind.
Said VERY oftenMeh.
Said to Rune StormOI! Don't pick on me! I'm a complete idiot when my job doesn't require me to be smart. I'm just cute, fluffy and harmless until you try to hurt me, my friends or try to steal my girl and my car.
Said to a few of his friends as a joke.Me Big! Me Strong! Me Pee In Plate And No Splash!

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