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by Belshazzar on Wed Jun 14, 2017 7:29 pm
Oh goodness gracious. I absolutely love this roleplay. I am studying music theory as my minor, and any form of classical music or composers just steals my heart. <3
I have not decided what I would like to do for a female character, but I would love to do a male inspired by Schoenberg.
I will update this when I decide my absolutes. Face claims, composers, concept, etc.
I do have a question though, before I start the hunt for face claims. How "old" do the composers have to be? For example, I am interested in a female inspired by Stravinsky, but he is fairly "modern". (1910-1970)
*Edit*
All right, here we go. :)
Name: Arden "Art" Schröder
Composer: Arnold Schoenberg (Schönberg)
Face Claim: Pierre Niney
Concept: Intense, stubborn, fearless, and set in his ways, Arden is a force to be reckoned with. Many don't agree with his methods. Unfortunately, he doesn't give a shit about what people think. It is difficult to change his opinion, but you cannot pretend that he has done nothing for music. "Art", as he likes to be called, has brought forward some of the most creative thinking, stepping away from the set path and forging his own. He is has taught himself to lessen his intensity around others, but will not hesitate to state his opinions, even if they differ from the majority. He believes greatly in otherworldly forces, and though he may not be religious, he is highly superstitious. He is highly independent, and relies mostly on himself. Completely self-taught, his family mostly shied away from his music, and so he relies on no one.
Name: Claudia Areya
Composer: Aaron Copland
Face Claim: Lydia Graham
Concept: Claudia is known to be one of the more reserved musicians of the bunch. She rarely speaks of her own emotions, and holds back on bringing extreme emotions to any conversations. To some, she may seem lackluster, while those who know her a bit better are familiar with how much energy she can actually bring to a group. Though shy, she has a good sense of humour, is slightly aloof, and is always there to offer a smile. Her large family has helped her graciously to the point she is at. She has always had something to hide, however. Her more experimental pieces are rarely heard, though she greatly appreciates atonal and offbeat sounds. Some of her music has come out on the jazzier side, but whatever she does, she does to please others and out of pure enjoyment.
I can never pick a favourite. Tchaikovsky was always my favourite composer, but my tastes have broadened a bit... I have one favourite for the time being. Verklärte Nacht, Op.4 by Schoenberg. It has his classic twelve-tone technique. It differs sooo much from the home key too (D Minor). I just love every part of it.
Last edited by
Belshazzar on Thu Jun 15, 2017 2:09 am, edited 1 time in total.
When I was a child,
I caught a fleeting glimpse
Out of the corner of my eye.
I turned to look, but it was gone,
I cannot put my finger on it now,
The child is grown,
The dream is gone
I have become comfortably numb.
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