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Kiki Eren

"Are you coming home soon, Mommy?"

0 · 793 views · located in Earth

a character in “Earth's Greatest Heroes”, as played by 13thSyndicate

Description

Kiki Eren

Image

"You're daddy's good girl
Don't tell Mommy a thing
Be a good boy, you'll get a new toy
Tell Grandma you fell off the swing."
~Pat Benatar,
Hell is for Children




Image{ FULL NAME }
Kiki Grace Eren
{ AGE }
7
{ PROFESSION }
N/A
{ FACE CLAIM }
Aura, .hack// series



Image{ HEIGHT }
Kiki is a little tall for her age at four feet tall even.

{ WEIGHT }
Kiki is a bit light for her age, adding to her frail appearance, at a little over 50lbs.

{ SCARS }
Mostly on the outside, Kiki seems like a normal girl - the only scar she has is a thin gash on her arm. If you ask her where she got it, she'll tell you she 'fell'.



Image{ LIKES }
Kiki enjoys many things young girls often like - teddy bears and cute horses and flowers. She also loves the outdoors and, as an extremely friendly child, enjoys talking to others, as well, especially other girls. She loves art.

{ DISLIKES }
When asked, Kiki will proudly proclaim that she hates tomatoes, eggplant, times when Mommy is away, eating her vegetables, and boys.

{ FEARS }
Kiki never speaks of her fears. She "doesn't want to make Mommy sad." The truth, though, is that she's afraid of a great many things. She often has terrible nightmares about 'another Kiki' that comes and makes her do bad things; she also has dreams about her many 'falls', and big men that come after her. Generally speaking, she's afraid of large males of any variety (though she will make exceptions, if you get close enough to her), heights, and other things that recall her times alone with her father. Secretly, she's afraid that she will be the reason her mother leaves her again... and that this time, it will be for good.



Image{ PERSONALITY }
Kiki is a cute, spunky, adorable child who often speaks her mind and isn't afraid of much, or so she claims; however, she becomes withdrawn quickly when asked about her past or her father. She can seem moody and temperamental, but even at the tender age of seven, she's begun to master the art of pretending everything is fine, even when it's the exact opposite. Only around her mother will she let on to the vast amounts of sadness she holds in her heart, because her mother is the only person she really and truly trusts - at the same time, she also doesn't want her Mommy to ever be sad, because she doesn't want Mommy to leave again.


Image{ HISTORY }
Kiki's seven years of life have been long and hard for her, illuminated only by the rare presence of Mommy. Born when her mother was only nineteen, she was a small and somewhat frail child. Some of her first memories are of her mother's arms and warm, sweet presence. Yet... her mother was rarely there, almost never around. Instead, Kiki was raised by her father, a working man who often didn't have time for a small, frail, dependent child.

Daddy was often angry. And when daddy got angry, Kiki 'fell'. At least, that's what Daddy told Kiki she had to say - had to say to keep Mommy coming back. Because if Mommy ever found out, Mommy would leave and not come back. It was a good lie to tell her; the girl idolized her mother, and always wanted to know when the woman would next visit her. Even as birthdays passed, she contented herself with words. "Mommy's busy. Mommy's making a better world. I need to be better to help Mommy."

Then came the time Daddy went too far, and her arm got gashed with a shard of glass from a mirror her father had broken right next to her. It was a bad cut, and Mommy got called home. Mommy found out.

Then, things were different. Kiki never had to stay with Daddy anymore, she was told. Which was okay with her, but now more than ever, she knows that she can't ever upset Mommy or make her sad, because if Mommy gets sad, or mad, or upset, Mommy will leave her again and never come back.

That's the reason she hasn't told Mommy that the pictures move....



Image{ POWER }
Kiki has a strange ability - she can create images with her mind, painting without paints or ink. And, when she puts her mind to it, she can bring these phantom drawings (and anything she creates normally) to life. They have substance and can interact with the real world, but only as long as she concentrates on them. Animating things like this is very hard on her, and tires her out quickly.

When Drawing or Animating one of her illusions, her eyes glow an eerie, pale blue.

{ STRENGTHS }
Very few people would expect Kiki to be the source of any illusions they come across, as she is such a young child. Her drawings can fight for her and protect her, as well. She has a very active imagination, which will help with creating her drawings.

{ WEAKNESSES }
Unfortunately, Kiki is only a little girl. Her 'drawings' are very draining on her and she can't use them for very long. If someone were really determined to capture or kill her, there'd be almost nothing she could do to stop them.


So begins...

Kiki Eren's Story

Setting

Characters Present

Character Portrait: Paper Angel Character Portrait: Veil Character Portrait: MultiDude Character Portrait: Rawhide Character Portrait: Black Midas Character Portrait: Sorceress
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#, as written by Zap
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Shadow Isle Federal Penitentiary. Built upon an island off the coast of New York City, it had been created to house the extremely dangerous criminals, insane lunatics and genetically-enhanced mutants that had been unlucky enough to be captured by their Government. This prison was created as an answer to the US’ criminal problems, and was highly regarded as the safest and highly-protected prison in the entire world.

But nothing is safe for ever.

In the dead of the night Police helicopters and speedboats rapidly approached the Shadow Isle, cloaked in midnight darkness. The helicopter searchlights led the way towards the Penitentiary, where smoke rose into the sky from multiple places. The Police were closely flanked by multiple media helicopters owned by different news stations, who were eager to get their hands on a nice, juicy story to fill the ears of their beloved audience with..

But the Police Boats and Helicopters were only carrying the reinforcements, as already on the beach and landing pads were multiple S.W.AT. Teams and American Special Forces units, who were talking to their superiors and team leaders through different radio channels, barking orders at one another and trying to organize a plan while the whole Island went to hell.

The entire Island had erupted into uncontrollable chaos. Fire raged from every window, screams, shouts and laughter burst from every open orifice and multiple explosions had been set off throughout the night. Prisoners had escaped through breaches in the walls and attacked the police officers down on at the beach, causing more injuries to the attacking force. From what the media helicopters can gather from their position, a fair number of inmates, police officers and prison guards had already been killed by multiple things, but all of them killed maliciously and with a clear, cold-blooded intent.

The media helicopters, not wanting to give up despite the obvious danger below them, circled around the Island once more, showing better, more convincing angles with their cameras for the viewers watching at home, who were watching with anxiety and bated breath. This horrific event had caught the eye of the whole nation, and no-one knew what they could do to help. The cameras also show the extensive damage caused by the prisoners and, perhaps, the men or man that had broken into the prison. There are multiple broken walls and windows on the ground floor, as well as more on each floor, as well as lots of fallen debris and wiring coming out of gaping holes.

The whole of Shadow Isle is wrecked, dangerous and too risky to survey.

Back in the air, one media helicopter, hoping for a brilliant picture for their viewers at home, dropped its altitude and hovered too far down into one of the courtyards of the prison, and soon caught the eye of the inmates. The helicopter was then assaulted with bricks, bottles and broken glass, whatever the criminals can get their hands on basically, in an attempt to bring down the helicopter and cause more chaos. The pilot of the vehicle struggled to maintain control of his bird, and the helicopter began to lose altitude and crash towards the ground. The camera team, some of whom had already been seriously injured by the debris thrown at them, threw themselves from the vehicle as crashed down into the shallow water near the beach, most of the being killed from the impact, their bodies strewn around the wreckage in a horrific manner.

Police scrambled to the scene, hoping to rescue the men from the wreckage and the news reporter that was in there as well, but were unable to do so once the wreckage caught fire, leaving the squad of officers to back away as it erupted into flames. The other media helicopters, seeing this disastrous event, began to pull out from the scene, and began to simply commentate on what was happening from a safe distance.

On a particular helicopter that was heading to the one of the prison’s few free landing pads was Commissioner Alan Norman, the Chief of Police at the NYPD. The man was desperately communicating with various S.W.A.T. and Special Forces team leaders to try and maintain a calm situation and transmit orders to them, although some of his orders seemed to be lost in translation and forgotten over the loud explosions and shouting.

A perimeter was already set up around the prison on multiple floors, with S.W.A.T. teams ready to breach the doors and enter the buildings in an attempt to save injured inmates and contain the uncontrollable and mutated ones. Norman stepped off the helicopter in a rush, his trench-coat blowing in the breeze and the wind caused by the helicopter’s rotor blades, and looked around the scene. The reinforcement helicopters he had brought with him were now in position, and with his word, began to rappel more Special Forces teams into the prison, whilst S.W.A.T. burst through the doors and began to clear the buildings room by room.

This was a defining moment in America’s history for years to come, the moment where the world first saw those that would become…
The Atlas Society.