
Mood Music
Full Name: Mojohra Jojohrum
Nicknames/Aliases: Mo and Mojo are the most common
Age: 28
Gender: Male
Occupation/Class: Roaming harlequin, self-described cultist
Kingdom of Origin: Yulia
Description: Underneath all the makeup and costumes lies a man whose appearance belies his age. His bronze skin is taut, thinly brushed over his gangly frame, and if it wasnât for the numerous scars decorating his body it would appear surprisingly well-kept. Mo is shorter than your average
-Tones of Summer Lands: While Mo may have been born and raised in Yulia his physique and complexion are native to lands far south of the kingdoms that were.
Equipment:

-A Quick Cut: Daggers have long been a staple of harlequins in the Yulian tradition, especially pairs of them. Curiously enough Moâs are Aressan, a simple, yet elegant, design most common for the lower strata of Wolf Knights.
-A Firm Grip: Gauntlets have popped up in a number of different ways throughout Yulian history. Roaming performers have utilized various gauntlets for since their inception, using them to perform acrobatic feats and stunts with their ever-changing studios, and more recently they have made their way into underground boxing matches, flesh yielding a decidedly delicious crunch for the crowd with a blow is struck.
-A Bag of Tricks: A harlequin always needs a goody bag for their performance, a one-stop shop for all their makeup and special effects needs, and Mo is no exception, except for a number of items required for ritualistic purposes of course.
More Mood Music
Personality: Itâs hard to describe Mo . . . ok maybe itâs not so difficult to do. First off, Mo is an inveterate liar, at least thatâs what everyone tells him. As a performer he has learned that the best way to enthrall someone is to take the truth and just twist it ever so slightly, not so much as to be unbelievable, but not so little as to seem like an everyday occurrence. It may be that heâs not even lying, just that he always gives the right answers to the wrong questions, or that could just be what heâs told himself for the past 20 years. Aside from that, he also tends to be an extremely talkative fellow, always jabbering on with some seemingly nonsensical dribble about one thing or another. Most of the times itâs hard to tell to whom he is speaking, as for the most part he tends to divide his attention between other people and the two dolls on his chest. Itâs undetermined whether he is actually hearing voices in his head, the dolls really are talking to him, or heâs just pretending for the show.
Skills: Mo is skilled with acrobatics and related activities, and his time as a performer has heavily influenced his fighting style which leans towards close calls and extravagant movement. His movements are quick and fluid, practiced over and over until they become instinct, but every action is a miniature performance, a moment of spectacle meant to tie in with those before and after to form a grand opera. He is also unnervingly precise with his weapons, slicing and dicing on foes as a practiced surgeon might operate on a patient, and he has learned how to use them to open/break locks. While untrained with most weaponry, he has a natural affinity for blades, but avoids anything needing two-hands. All his time spent in front of cheering/jeering crowds has also trained him to be particularly attentive to details and makes him quite difficult to surprise.
Weaknesses: Mo is fascinated by magic and magical artifacts, to the point that he has a hard time focusing on anything else when either is in play. A lack of armor is also particularly discouraging, given that the slightest miscalculation separates him from life and death in battle. Itâs also fairly easy to make Mo pause should you give him a riddle, while not the best with them he loves to drop what heâs doing and start pondering them.
Fatal Flaw: Mo lives and fights with a reckless abandon, caring not for his own safety, nor that of any others nearby, and his penchant for theatrics only makes this all the more dangerous.
Brief History: Mo grew up in a poor village on the southern border of Yulia, or what was Yulia before the expansion. He canât remember how poor he was, this would be the difference between say having torches and pitchforks when running someone out of town and just having pitchforks. Not terrible days, but not the best either, of course he canât really remember too much to make a definitive statement there. Somehow, though, he found some way to join a troupe of performers who happened to wander through his
After a while he managed to work his way up to performing, all the running from authorities and climbing through windows really payed off once he started growing up, and even landed a gig as a harlequin. Of course, graduating to such a high position in the group meant taking on greater responsibility, youâd be surprised how many folks want to take advantage of good natured performers such as they and either watch a show without paying or trying to waylay them on the road. Both tasks had their advantages: the first meant you could get a giggle terrorizing folks while acting like it was all part of the show and the second meant you could carve up a few blokes and acquisition their goodies. Fun times.
Things didnât get really interesting until after the fall of Elidia. The prophets came back singing of the fantastical beasts they beheld roaming the countryside, and his pretty little head was filled with marvelous hopes and dreams of what could be. Mo was obsessed with Elidia and set out to find out everything he could about these kinds of things. How could you summon a demon, or any creature from the beyond? Is there any way to become on yourself? Are there other forms of magic, or what have you, aside from the drivel being policed by Yulia? Eventually he joined a cult that was also interested in such questions . . . well he started performing rituals and calling himself a cultist to be more precise, turns out not too many people take harlequins seriously when they talk about such serious matters.
Then he was arrested, let us not bother with the details of that particular âincident,â such a shame they interrupted when they did, and Mo found himself in a dungeon and at the mercy of the Inquisition. Such serious fellows with all their fancy âmorals,â but theyâre more like peacocks than anything, putting even the most flamboyant of performers to shame with their pomp and ceremony. So inept too, the poor fools couldnât even torture him right, he was constantly having to suggest corrections to their methods . . . unfortunately they never took his advice. Then it came. The âultimatum.â Set out to Elidia and return with secrets in tow or die in the dungeon. Even if he succeeds heâll still probably die in a dungeon, but at least heâll be able to see Elidia with his own two eyes.
Other: Mo is illiterate, interestingly enough, and is easily distracted by shiny objects.