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Bujingai

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a character in “The Multiverse”, as played by RolePlayGateway

Equipment

Weapon(s)/Armor:

Inter arma enim silent leges (Katana): Which means, "For among [times of] arms, the laws fall mute", resembles a dark sleek sword or katana to be more precise. n design the weapon appears nothing more than a sleek silver piece of metalwork while sheathed. The handle, guard and pommel are all glossy silver with a cord wrap of a near-black violet. The scabbard of the weapon is a black metal, but its weight makes it feel more like wood. The history of this blade is as old as his experience with the blade.

When drawn the true beauty of the weapon comes to bare. Ny’elis sports a brass blade collar, from this collar protrudes a vibrant silver blade. Along the blade ridge, edge and groove is a deep, nearly black violet that steadily bleeds lighter and lighter into the brilliant silver of the rest of the blade.

At various angles the blade appears ephemeral, as if it wasn’t really there to begin with.

Inter arma enim silent leges – Specifics:

-Echo: Every action has a beginning and an end. The period of time that falls between these two points is subject to it’s will.

Loosely speaking the blade can manipulate a fraction of a moment between when something begins and when it ends; for instance, the swinging of a hammer or casting of a spell. These actions all have a point at which they begin and when they end.

By changing what occurs between these two points the blade inevitably changes the overall outcome of the action. This is done through subtle changes, erasing a specific hand gesture from the casting of a spell, or shifting the direction a hammer is falling by pushing it in one direction or another halfway through its swing. Bujingai considers doing this as manipulating the “Echo” of an action. Because of what she is, Dane is comfortable and capable of perceiving these “Echoes”, and thus able to influence them in direct or subtle ways.


Martial Capabilities:

Concept of Transference: At its core the Concept of Transference greatly resembles that of Aikido, utilizing a large variety of methods revolving around the blending with the motions of an attacker and redirecting the force of the attacks instead of meeting them head-on. Similarly the Concept of Transference, or simply Transference, practices a wide array of joint locks and throws.

Where Aikido and Transference differ is in the well-being of the attacker, along with a few subtle things. Aikido practices the protection of the user as well as the safe-keeping of the attacker, while Transference applies a fraction of the attackers force, paired with the defenders (Transference user) own power to inflict damage via throws or other means of physical contact.

The Concept of Transference works by stealing a portion of the power behind an attack and building on it by the means of continual Guidance, the means of which a user of Transference refers to redirecting an attack.

The user of Transference can decide when to release the power he has attained through guiding his attackers force, but there is an overall limit to how much he can hold onto at any given time. With this said, with enough captured force, someone using Transference need only the faintest physical contact with a person to deliver a massive blast of physical force. Of course, the power behind this varies depending on the overall buildup of energy transferred from attacker to defender.

A person trained in the ways of Transference does not need to redirect an attack to catch a portion of that assault; even if they are hit they absorb some of the force behind the strike.

Discipline of the Falling Dawn: Strength is an illusion. Adherents of the Discipline of the Falling Dawn philosophy understand that no warrior can hope to be stronger, quicker, and more skilful than every one of his enemies. Therefore, this discipline includes maneuvers that use an adversary’s power and speed against him. The Discipline of the Falling Dawn includes maneuvers such as throws and imitative strikes. The highest forms of the discipline require an adept to empty herself of preconception and impulse to become a hollow vessel unhindered by want.

Discipline of the Obscuring Mist: Never show an adversary what he expects to see. The Discipline of the Obscuring Mist emphasizes deception, misdirection, and surprise. The most effective blow is one struck against an enemy who does not even know he is in danger.

Diamond Mind Discipline: True quickness lies not only with the body but with the mind as well. This art of combat hones the perception of the user and disciplines the thoughts so that one can act in slivers of time so narrow that others cannot even perceive them. A corollary of this speed of thought and action is the concept of the mind as the battleground. An enemy defeated in the mind must inevitably be defeated in the realm of the physical as well.

Blade Singer: The true use of a blade is not as a tool of destruction, but as a glorious extension of one’s self. As a Blade Singer one is taught to use the keen edge of a weapon as if it was a part of them, and to use it with the same fluid grace they would their legs, or arms. Under this discipline a person is taught that precise and measured movements with the body inevitably leads to equally precise movements of a blade. The Blade Singer is taught not only how to effectively use a sword…but how to use it as a separate entity outside of herself.

*All of the Skills and Disciplines listed above are a general overview of Bujingai’s capabilities. They should not be taken as a straight description for exactly what he can do; many of the disciplines styles have been mixed together for amplified effects over the years and his swordsmanship isn’t just limited to the methods of the Blade Singer as the other disciplines regard weapons in various ways as well.

So begins...

Bujingai's Story

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Character Portrait: Bujingai Bujingai says,
 [Now what's up?]

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Character Portrait: Bujingai Bujingai says,
 [Wait, what are we doing?]

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Character Portrait: Bujingai Bujingai says,
 [I suppose. GIve me 10 minutes however before we fight.]

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Character Portrait: Bujingai Bujingai says,
 [Ok.]

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Character Portrait: Bujingai Bujingai says,
 [So..wait...]

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Character Portrait: Bujingai Bujingai says,
 [Yall want to do this realistic?]

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Character Portrait: Bujingai Bujingai says,
 [>_>]

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Character Portrait: Bujingai Bujingai says,
 [I can't oblige. Especially if you have a AK.]

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Character Portrait: Bujingai Bujingai says,
 I can't.

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Character Portrait: Bujingai Bujingai says,
 I don't have any modern military characters.

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Character Portrait: Bujingai Bujingai says,
 Other than Az's character.

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Character Portrait: Bujingai Bujingai says,
 [Actually, I have a friend...

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Character Portrait: Bujingai Bujingai says,
 [He is on his way, and I may have to fight him before I fight you, just as a heads up.]

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Character Portrait: Bujingai Bujingai says,
 [Black-Pentagram.]

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Character Portrait: Bujingai Bujingai says,
 |In the midst of quiescence, an opalescent pearl that manifested from the condensation began its descent from the alabaster canvas, flowing down the surface until it reached its apex. A cessation of time seemed to follow, the droplet traveling towards its destination in the middle of a small pool of water below. When water hit water, the ripple effect sent reverberations into the rained city, the audible end of a natural cycle finally hitting his ears. "Drip". |

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Character Portrait: Bujingai Bujingai says,
 |The atmosphere about the arena possessed its own distinct harmony. It was a melody composed of notes from the blazing sun and the lonely winds which collaborated together to form a temporary tranquility. This composed piece was interrupted by the presence of another. The innate and keen ability to inwardly sense his surroundings alerted him somewhat belatedly of his opponent's arrival. The grin his lips bore was of sheer ecstasy, his mind tangled in the precarious vines of his self-induced illusion, he seemed to be the embodiment of foolery. Two of the three forbidden blades gave a sound of the thin adamant blades reflecting against the heavenly light which struck the blades from above. Holding one in both of his hands, he could see the man known as peter soaring through the air from up the street. It had begun.|

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Character Portrait: Bujingai Bujingai says,
 |Quietus. The innate ability to move at such incredible speeds with such insane and unreasonable skill with swordsman skills was down right insane. The blades danced across the air that surrounded his opponent, as Bujingai moved at such speeds his body would displace itself in the air above, directly above Peter. Dancing through the air, they played a unpredictable harmonious song through the midst of the screams below. Bujingai's face formed a smile. His body was still preparing a 'actual' attack|

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Character Portrait: Bujingai Bujingai says,
 |Amidst the swirling waves of the atmosphere, dispersed betwixt the harmonic ripples of the sudden disruption of calm, hung a series of nondescript leylines of power. Fluttering in parallax with the flowing current, they expertly danced with the mirrored movements of this providential setting—creating an orchestrated spectacle that remained unseen and unhampered by the subdivine. Respectively giving and taking, the dancers waltzed one, two, and three as the beat repeated itself in its own chaotically predictable rhythm. The scene was exemplary; the celestial illumination drizzled down from above, the natural symphony's cadence permeated the arena, and the two participants hovered poised for an historic engagement. Deep resounding beats of percussion brought the crescendo to an apex, bringing forward the filaments and their harmonics through the veritable storm of Bujingai's arrival.|

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Character Portrait: Bujingai Bujingai says,
 |Before him was a man confined to the same song and dance as countless opponents prior; the rhetoric of his movements, their haunting adjectives, and piercing gaze all came together in a familiar pattern of memorized routines with their textbook steps and spins, heavily learned techniques. Starring through the crimson opitcs of his head-set, he examined his opponent closely and the history on him streamed across the grey screen in his head like some massive computer error. Apparently this was a opponent that he could not just get data on. Unsheathing two of his three sacred blades, he held them on both sides of himself, before swatting his head at the ground. This caused his headset to fall and reveal his translucent beautiful face.
I've come so far...
|

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Character Portrait: Bujingai Bujingai says,
 |Amidst the shear brilliance of his creation, his right foot arched forward as if to indicate forward movement, the iridiscent light giving off a geminated look to such simplistic actions. Just as his movement indicated, the nameless figure shot off the ground in a flash to move rather hastily towards his opponent, his feet not once touching the earth after his push off. Blazing through the night air, his brilliant hue outshining its darker parallel, he closed the distance to his foe with his blinding aura preceding him. In his long history of battle, this would be his allegory. Careful observation and lengthened sessions of practice had taught most fighters that strikes had no power without some sort of foundation, and it was exactly that foundation that he had come to master.|

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Character Portrait: Bujingai Bujingai says,
 “ [color=black]|
I live for these moments...
Momentary escapes from the mundane visions of reality were few and far between for those that lived to study that intracacies of battle. Bujingai's body gliding above the ground with elegant ease soon game before Othello. Seeing as his opponents defensive position was rather unorthodox he would be sure to watch out, while also breaking it. Coming face to face with his opponent, the first blade in his left hand, lashed out to slam into the blade which covered his opponent's body, the great clash of blades whipping the winds around them. No sooner than he had slammed the blade into this great sword, he would spin around in the air, technically the ball of his foot while slashing at the back of Othello's neck. The first slash acted as no more than a technique to make his opponent slower, due to resisting the technique with is brute force. Upon slashing at the back of his neck, two more slashes followed with the same blade, violently, leylines of emerald power enveloping it ”

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Character Portrait: Bujingai Bujingai says,
 |His heart skipped a beat. A sensation. A tingling. That feeling, quick and forceful. This being was managing to keep up with his level of skill and it was impressing Bujingai. Just as the claw moved to cleave flesh, the first blade that had been negated first was then brought to his side and the claw struck steel, the flat side of the edge. This caused him to slide across the ground before he caught a glimpse of his opponent spinning around to the other side of the obelisk. Hopping back he slammed his back to the other side of the obelisk, while sheathing one blade, and holding the other with two hands. Smiling, his sinister grin would allow him to remember his one handed sword techniques that he had struggled to master for so long. Holding the blade out before him vertically he waited in his spot for a few seconds. "You're good.."|

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Character Portrait: Bujingai Bujingai says,
 |The fear that struck deep within his heart was something he hadn't felt in awhile. Everything had literally disappeared, but the lava beneath him, and Othello who stood before him. Though the outlines of the various things were still in-tact if you focused, they were hard to see. Bujingai's face fell into a deep perplexed fear, in which he sheathed the one blade and began to start something of his own.
Ittō-Ryū Iai: Shishi Sonson
he whispered as he crouched down and stood in place. Opening his other senses, hearing, and all other senses, he stood there in that one spot. Waiting. He didn't move, nor did he breath, he only focused.|

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Character Portrait: Bujingai Bujingai says,
 |Blood fell down his body. He ignored all damage that had been dealt to him, that apparently he had not seen or heard happen. Large gashes across his body gushed blood that poured into pools of blood that fell on the invisible monument under him. Blood flowed in rivers from his mouth as he smiled now, given that he had been damaged greatly. Still he waited, in the crouch position, never moving but not beginning to shake just a tad, unnoticably however. . This was a involuntary status that had been rendered upon him due to the strikes inflicted.|

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Character Portrait: Bujingai Bujingai says,
 |Predictability. His opponent performed moves that were so common and predictable that it made him easy to defeat, though he had showed promise once. Bujingai had initiated the technique Onizan and Santoryu mix. Just as the sword moved to strike his body, his body was displacing space behind his opponent, and time seemed distorted. He had unsheathed his blade, swung to cleave his opponents head off, and then sheathed his blade again all in two turns of charging and focus time. The first turn was putting his back to the wall, the first phase. The second phase was the crouching and focusing, attuning all forces to the slash. He could hear his opponents slash cleave through the air before he made his action. Bujingai gushed blood from his mouth that made a puddle on the ground beneath him after his slash directly after the slash.|