Revolutionary guitarist, breakthrough singer/songwriters and infamous bad boy musician
A firm establishment in the anti-establishment counterculture, Nick Erringer is somewhat begrudging of his fame while embracing the excess that comes as a fringe benefit of stardom.
Panned and attacked by some for simply capitalizing on the popular trends of the moment and going in the other direction, those on the inside of Erringer’s operation know that he is actually a meticulous and technical worker when it comes to studio development of his work and is actually something of a closet academic. While this is a closely guarded secret, it goes to show that there is a deeper thought beneath the sex, drugs and rock & roll.
Publicly, Erringer is not one to tiptoe around questions. Whether it be a personal opinion on another musician with whom he may be fueding at any given moment or a general shot at government control, Nick doesn’t mind taking to a microphone – either on stage on tour or at the red carpet for an awards show where he normally wears jeans and a t-shirt with a suit jacket thrown on.
Aside from those in feud, Erringer is actually well-liked by most in show business. Considered to be refreshingly-honest and unafraid in his work, Nick usually makes an appearance at the bigger events and parties expected of his unexpected social circle.
Starting at the age of thirteen with a hand-me-down pawn shop guitar, Nick Arringer found music as an escape from an alcoholic mother and an abusive stepfather in the slums of Wing City. Introduced to a high school friend’s older brother who was avid drummer at the time, the two began to play on a regular basis. Finding relative success and hating the establishment of school, Arringer left school at 17 and began working on music full time.
Providing searing and innovative guitar licks for the upstart band Septic Tank, Arringer and his older bandmates released a self-recorded basement demo album before signing to a minor label. At the age of twenty Nick and the rest of the band recorded their first studio album. Commercially the album was mediocre in sales and panned critically, but credit was given to Arringer’s unique guitar style and also to a bonus track feature Arringer vocally entitled “Belt Loop Blues.”
Septic Tank broke up shortly after a regional tour to support their album. It was at this time that Arringer was tapped to replace the lead guitarist in the band FLAME fronted by legendary frontman Jackie Sheridan. Twenty-three-year-old Arringer and the flamboyantly-gay thirty-one-year-old Sheridan feuded publicly and often refused to take the stage with one another. When a fight broke out backstage a year later, police found cocaine in Arringer’s belongings and the man was brought before serious legal action for the first time. In a deal to have the charges dropped, Nick was ordered to get a GED to complete the high school education he’d abandoned years before.
The incident was the excuse necessary for Sheridan to boot Arringer from FLAME whereupon Arringer formed his own band with the savant finally taking the front position for the first time. Unlike the flash and pomp of FLAME, Arringer’s Silver Nitrate Rush was a gritty and edgy group that skyrocketed to flame with the backing of counterculture behind them. Following the release of their third album, the group parted amicably to work on solo and side projects before reuniting for another tour and studio effort.