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β’β’ n a m e : xxx mariko kimura
β’β’ a l i a s : xx marixx kiko
β’β’ b i r t h p l a c e : xxx singapore
β’β’ a g e : xxx 21
β’β’ s e x u a l i t y : xxx bisexual
β’β’ e t h n i c i t y : xxx japanese
β’β’ r o l e : xxxhalfling xxxillusionist
β’β’ o c c u p a t i o n : xxx fashion design studentxx
β’β’ p r i m a r yxxp o w e r : xxxillusory
β’β’ s e c o n d a r yxxp o w e r : xxxdream walking
β’β’ t h o u g h txxc o l o u r : xxx#80AB90
β’β’ d i a l o g u exxc o l o u r : xxx#989E93
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ββββββββββββββββββββ you are not wrong, who deem
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A xxx blunt fringe does not entirely mask the soft features of her face; full lips, expressive eyes, and smooth cheeks. She is undeniably her mother's daughter, from the tone of her skin to the cut of her jaw. A miniature version of the older Kimura, with only a small birth mark on her hip to set them apart. Her hair style speaks of an attempt to look older than Mariko's two decades of age, to become part of the fashionable scene she surrounds herself with. Make-up enhances her aesthetic, highlighting the curve of her lids or the shape of her lips. She likes the bold looks; dark lipstick and cat eyes, rarely choosing to go without.
P a i n t e d xxx skin in the form of a handful of small, artistic tattoos decorate her body. A water-coloured figure on the left thigh, no larger than her palm, bares the resemblance of a summer court sprite - a creature of her imagination according to humans, a common fae any halfling might see. The next artwork found on her pale skin is a single snowdrop flower and it's stem, curved on her rib cage. The third tattoo is found on the middle digit of her right hand, hidden between the fingers; roman numerals of the day she was born (VII), her half-brother (IX), and her mother (XIV). She has piercings too, a few in her ear usually dressed with hanging gold or studded silver.
S t y l e xxx Mariko favours draping layers and simple sun-dresses, the type you find in small second-hand shops or designer boutiques. She makes many of her clothes herself, inspired by whatever takes Mari's fancy, be it a pattern on some material, or a runway skirt in a magazine. She has an eye for the latest fashion, and knows which to attempt and what to avoid depending on what might compliment her slim frame and 5'5" height.
ββββββββββββββββββββββββ that my days have been a dream;
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C a r b o n xxx copy of her mother in appearance, but in personality, Mariko Kimura was her own person. Independence came during long nights alone while her mother worked or entertained, and longer mornings when her mother would cry out for hangover cures before bending the light shade to concentrate on her work. Mariko was forgotten, but never abandoned, a second place to her mother's work ethic. Mari sought relationships with others, and though her social circle was never wide, the quieter Kimura took solace from those she called friends. She still does, even if age has offered her a louder voice and bolder personality. Though Mariko will never be the loud centre of a group, she likes being in the group and trading witty jokes with her peers.
O n c e xxx Mari was the voice of reason among her friends, the reliable adult in her one parent home. Yet, as responsibility shifted from her shoulders and back to her mother's, Mari was able to breathe. Maintaining a balance between spontaneity and saving for a rainy day, she attempts to live in the moment while still planning for the future. She's less likely to be forcefully dragged to a party or out of her comfort zone these days, with age and confidence no doubt helping to boost her willingness to explore. Laughter bubbles easily to the surface, conversation flowing with long friends and strangers alike.
D r e a m s xxx of designing clothes were cultivated from a young age. Inspiration came not only from the human world, but the glamoured fae she pretended not to see. Mari's passion never suffered from shyness, with pride and determination encouraging the halfling to pursue her passion. Though a privileged uprising made Mariko less prepared for the realities of the world - paying rent, cooking alone, etc - she's a fast study when she needs to be. She works hard too, never expecting anything to be given to her. There are echoes of her mother's workaholic nature in the half-fae. Though, sensitivity surrounding such a comparison is apparent. Defensive tactics kick in if Mari feels attacked; she closes in on herself and stays isolated, preferring to avoid any potential issues rather than face them head on. They bottle up inside her instead, an unhealthy mess of issues that she promises will be addressed one day.
βββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββ
βββββββββββββββββββββββββββ yet if hope has flown away
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oversized sweaters xxx flowers xxx big earrings xxx sunshine xxx whalesxxx tattoos xxx strong coffeexxx little cacti in tea cups xxx sketchingxxx rainy daysxxx younger guys xxx her cat, Peachxxx travel xxx take-out nightxxx netflixxxx polaroids xxx ice skating xxx sleeping with excessive pillows xxx noodles xxx yogaxxx silky dressing gownsxxx freshly made bedsxxx good cocktails
β’β’ d i s l i k e s
smokingxxx weak coffeexxx gym rats xxx toads xxx frogs xxx hangoversxxx brandy xxx rumxxx basically any brown spiritxxx flyingxxx long plane ridesxxx kids on planesxxx rush hourxxx war movies xxx getting lost in dreamsxxx smell of nail polishxxx fast fashionxxx rocky boatsxxx the Rocky moviesxxx soap operasxxx cold teaxxx crying in sad moviesxxx she's an ugly crierxxx xxx
βββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββ
βββββββββββββββββββββββββββββββ in a night; or in a day,
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D e s i g n xxx and drawing have always come easily to Mariko. She takes after her mother in that sense. If there's pencil and paper, her fingers tingle with the desire to pick up both and sketch.
S e w i n g xxx a fashion designer, at least a student one, would be greatly amiss to not learn how to sew. Thankfully for Mari, she has long mastered needle and thread. She frequently crafts her own clothes with the use of her prized sewing machine.
C o o k i n g xxx with her grandmother was always a fond time for Mari, and though cooking alone was a new experience, she's found that she enjoys the activity and the meals that come from it.
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P r a c t i c a l xxx knowledge such as changing a tyre, sorting taxes, or knowing who to call when the power goes out is not ingrained in the young woman. She relies very heavily on youtube videos when needing to do anything beyond boiling water.
A v o i d a n c e xxx is Mari's method of dealing with conflict or personal issues, leading to an unhealthy bottling up of her emotions. She knows that not dealing with her problems directly leads to big explosions, but some habits are hard to break.
O v e r - s e n s i t i v e xxx there are times when a well-intentioned comment can veer off course and Mari will take it the wrong way. She can build up her defences too quickly, and tune out what is meant to be constructive criticism.
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I l l u s o r y xxx sounds and visions may be distorted at Mariko's hand, creating false sights and noises in the empty space. These deceptive images hold no solid form, and only last as long as Mari's concentration, if that. In theory, her mirages are only limited by her imagination. In practice, at first attempt they're limited by lack of experience and poor training, and will be restrained in size and length of stay.
D r e a m x w a l k i n g xxx takes Mari into another's dream, where she is drawn into their subconscious thoughts while her own body slumbers nearby. Thus far, she can only walk into another's dream when asleep herself, and only may reach those within a certain radius of herself. The danger is of getting lost, drifting from dream to dream, only to wake with a scream from somebody else's nightmare. Not that Mari recognises foreign dreams as such, instead believing her sleeping visions to be entirely her own.
E q u i p m e n t xxxa small sketchbook filled with ideas and quick drawings of things that have caught her fancy, and usually a bauble of thread in her pocket which she constantly forgets to put in her sewing kit.
ββββββββββββββββββββ in a vision, or in none,
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H i k a r i xxx Kimura was won by the whispered promises of sweet lips and the temptation of a man not of her world. Though he never spoke it, she knew in the way he made her heart soar. When he left, she had only Mariko as a reminder of her affair, and even then her daughter held little of the fae in her appearance. Work became Hikari's love, and Mari was raised essentially by her grandmother for the first few years of her life.
W h e n xxx Hikari's work took her back to Japan, Mariko and grandmother followed. Though at times her mother struggled with an alcohol addiction, her work never slacked and money was therefore never an issue. Mari's grandmother doted on the girl too, and encouraged any and all skills the young girl might taken a liking too; ice skating, cooking, sketching. It was the last which would eventually take Mari away from home.
D e a t h xxx took Mariko's grandmother when Mari was ten, leaving the young girl feeling more isolated than before. Her mother might have fallen deeper into her alcoholism had she not met a man in the same year. He would become Mari's step-father several years later, and help to return Hikari back to the warm individual she once was. A baby brother was introduced to complete the family, and though Mari missed her grandmother, she was not longer isolated without her.
E i g t h t e e n xxx and fresh out of high school, Mariko set her sights on fashion schools abroad. A single year of study turned into a full degree spent in the United States. Living in the protective shadow of her mother's wealth had not prepared Mari for living alone. She managed through the good will of her friends and youtube videos, but for a time her dirty clothes were regularly taken down to the nearest dry-cleaners, and her friends were regularly woken with calls for help.
T r i p s xxx home are infrequent but revered, where Mari delights her younger brother with tales of fae dressed as fantasy. Only her grandmother knew of Mari's sights, and how the young girl would giggle and point out impossible things. By the time Mari's mother paid her enough attention, Mariko had long since learned to hide what she could see from humans. She takes inspiration from them though, dreaming up clothes that speak of the wondrous beings masked from human's vision, only occasionally wondering why she, of all people, can see them.
βββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββ
ββββββββββββββββββββββββββββ is it therefore the less gone?
f a c e c l a i mxxxyuka mannami
p l a y e dxxb yxxxCloud