Infirmary.
1115.
Icarus, despite the sense of foreboding that lingered around her at times, and the odd impression that she was not the wisest woman to cross, simply sighed at the boysâ disobedience. Her slate grey eyes followed their thoughts on their faces, in their bodies; when Devan rolled away from her, she smiled slightly, as if she had been anticipating his action, and found it rather quaint. Xavier, meanwhile, she viewed with a strange expression, somewhere between nostalgia and humour.
âYou know,â she said, quite conversational despite the extraordinary situation that she was standing in the middle of. âYou boys really are a little too foolish to be allowed. Fun, though. You remind me of my husband and son in equal measure. Solomon was blinded by society and first impressions, and oh, so sure of himself, just like you are, Xavier. Of course, he had set himself on quite the different path than your little demon-fuelled rampage, but the analogy remains the same. He had ever so many rules, you see, and just couldnât seem to get rid of them.â
Her lips twitched, and she settled her gasmask carefully. Even through the lenses, her eyes were piercing. âAnd Devan- so like Jesse. So damaged, so strange, so silent. He was never sure where to look, either, always seeing threats. You do remind me of him. Though I wonder- which is which, in the end?
âYou see, my husband, ever such a moral man, became quite the fearsome killer with my help. Oh, boys, he was magnificent; all righteousness and divine fury. You could never match him, Xavier, because youâve sided so casually with the Devil. Stereotypical, donât you think? Surely the Angel bowed to kill is more fearsome than the Demon, who is expected to do so?â
Icarus stepped forwards again, totally unafraid. âAnd then my stunningly tragic Jesse, who just canât help himself. Which is which, indeed.â
Icarus wasnât even discreet in walking across the room, then, and activating the switch that flooded the room with an anaesthetic gas. She watched, them, then, breathing steadily through her mask and already crossing to the console across the room. The porters were ever so accommodating, and it was shockingly easy to arrange for the two sedated young men to be transported back to their rooms.
Room 11.
1150-1200.
In Matthewâs room, the water continued to rise in conjunction with the elaborate illusion that was playing our around him. The tilt of the capsule was realistic, and the hydraulic whirring was artfully disguised by piped in sound effects from a series of surround-sound hidden speakers. When the water reached the bed, then rushed over edges, it was stingingly cold and cloudy enough to look like authentic lake-fare, rather than the tanked stock that it actually was.
The event had been carefully practiced, and the operator was skilled; Matt was observed carefully throughout the entire process lest he drown. The water, once it had started, rose at an alarming rate, rapidly filling to a height that would force the young man to swim. The corner of âskyâ projected into the remaining space, diminishing by the moment, was disguised by the shadow of bars and just out of reach; designed so that there was nothing Matt could reach up and grab onto.
The last moment of the illusion was the most critical and carefully timed. When the gas was pumped into the chink of air left into the room through the concealed pipes, it came from under the water, forming numbing bubbles. Carefully formulated, it was not designed to wipe away the experience in amnesia, but give it a faintly surreal tint; a hazy flare to the dark, masked face and wiry arms that reached down through the trap door and snatched Matthew up just as the vapours turned anaesthetic.
Room 7.
1153-1155.
âOh, Iâve been here since the beginning, pretty much, and I know everything.â Tori grinned, large and quite possibly insane, as he watched Aveline with wide eyes through his dark fringe. âI know that this place has secrets, and I know how to get into the kitchens, and I know that Anakin becomes Vadar here. Iâve been in these places forever. I know how they work.â
There was an odd note in Toriâs voice for a moment, but it was rapidly gone; he spun on the spot, laughing illogically. âWeâre all mad here, you know? Every last one of us- oh, some of us think weâre sane, but weâre not. We canât be, being here. But everyoneâs so caught up in stigma and taboo that they forget how exciting being quite bad can be. We need to remind them, Aveline.â
The strange little man skipped forward, clamping hot hands on Avelineâs shoulders and tipping his head to look her right in the eye. âWe have to drive them mad, you see? Most of them already suspect, they know the way, Follow the Yellow Brick Road and spiral down into Wonderland, but Sarah- sheâs so set on being sane that sheâs forgotten that you have to be mad, to be here.â
He stepped back then, and bowed in a formal, sharp line that was at odds with his lose limbs. âI trust you with this, but it has to be our secret. The others canât know that Iâm a secret agent. If I get found out Iâll have to disappear. The Instigator- oh, he insists on it. I can only be here when itâs right, and I donât want to vanish; itâs far too much fun.â
Toriâs eyes sparkled as his watch chimed shrilly. âOoh, time to go. See you soon, Aveline.â
Ironically, he vanished.
Event! Sarah!
Icarus did not look back, nor did she return, and for a moment there was silence before the faint hiss of gas rose over her retreating footsteps. She didnât bother with the mask; the doors of the dining room were already swinging closed and locking, but she did spare a smirk for the inevitability of the situation.
Sarah would, eventually, learn that defiance was a pointless endeavour when a greater game was being played, and there truly was no escaping events once they had been set in motion so surely.
At exactly 1300, Asylum time, every allocated room housed its occupant, with several glaring losses; two young women had already vanished into the bowels of the institution, and when the doors of Eliseâs and Karissaâs rooms swung open on automated command, they revealed the oddly forlorn image of dereliction, as if the girls had never been in the Asylum at all.
Mattâs room, despite itâs rather drastic upheaval, had been quickly and efficiently rearranged into normalcy; everything had been either dried or replaced, and Matt himself had been arranged on the bed, in identical but dry clothes. It was as if nothing had ever happened.
Similarly, Sarah, Xavier and Devan had been transported into their rooms while unconscious and carefully settled into their respective beds. Avelineâs room remained unchanged; her door simply opened at the allotted time.
Tori, also, was in his room when his door swung open, sat moodily on the floor.
Keiko, lying on her bed, looked up when the door opened, but didnât move to venture outside. Her eyes were very dark, and she was smiling.
And Jack, when he finally opened his eyes in the Infirmary, screamed to find himself laid out like a cadaver on a shining metal table, the cooling body of Trephan spread on a trolley beside him.