God of Death
Danse frequently comes off as pretentious, unintentionally, with his fascination with nihilism and periods of brooding melancholy. Underneath, he is quite amazed and disgusted by his own amazement at Life; his natural opposite. The gradual shift in his opinion of mankind is unsettling to one of absolute resolution. He has become more indecisive, irritable and antagonistic about the human race and becomes irrational if his harrowing contradictions are pointed out. Almost impossible to talk to, he blends in perfectly with angst-ridden teens. Yet his deep compassion for those who suffer brings an almost-fatherly aspect of his nature.
He carries with him an iPod with ridiculously over-sized headphones around his neck, a book on nihilism and a composition notebook in which to doodle bad poetry and significant song lyrics
Death is inevitable for all Things. He has always been and always will be; the only constant. One usually assumes Death to be a bad guy. However, his own opinion is quite the opposite. From the beginning of the first universe, he often sided with the chaotic gods, believing they were merely bringing out innate properties in human nature, not adding to them. He was proven right by the continuation of the destruction and chaos in the second universe. He was quite willing to claim all the fallen for himself and end the entire process once and for all. Death does not gain by Life but his motives werenβt entirely without compassion. Death comes for everyone; young and old, good and bad. At times, he was seen as a relief and took joy in coming for those in great pain and sorrow. He felt for the suffering of humans and believed their unfortunate natures were tragic and continuing to βfix itβ only perpetuated their despair. However as he walks among the living for the first time, breathing, heart beating, he finds his opinions muddled and confused by the human condition.