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Mama

And if you would call me your sweetheart, then maybe I'd sing you a song~

0 · 340 views · located in The Infinite Void

a character in “The Multiverse”, as played by CrashQueen

Description

Mama appears as the model 1950s housewife in a gingham gown and apron, with the bodice open and revealing her ribcage with dusty, rotted organs inside and trying to seep out between the bones, staining the apron and dress. Her arms are long and her hands oversized and boast terrible and long claws. Her face is covered by a gasmask, as if in fear of an air raid. Her legs are strange and inhuman, knees bent backwards and hooved.


An apparition, a mysterious figure that stalks the battlefield, she takes the form of a wailing, wounded mother, crying out to the dying soldiers in a haunting voice:
"Come to me my child, and I shall enact vengeance on those who have wronged you."


Those who summon Mama are known as Mama's Boys and Girls. She is fairly benevolent to them and will do their bidding.
Mama's particularly disliked by Heaven and Hell being that she acts as a free agent, a rogue demon that takes souls under her wing, thus screwing up the soul count for both parties. Angelic and demonic mercenaries have been sent to put an end to her, but since her first appearance back during the Crusades, none have been successful.

Mama is fairly neutral in the ongoing Heaven vs. Hell debate. She has her own agenda of which nobody seems to be sure.

Her movement is nothing short of nightmarish, lurchy, jerky.

Personality

Who knows? She seems unusually calm, even in the face of bloodshed and death. Despite a frightening visage, those who see her would describe her presence as soothing, and many regard her as an 'angel of the battlefield' considering she can pluck a man from the jaws of death.

Her mannerisms are very polite, almost antiquated. She carries a fondness for children of all ages and is very protective of them, as her name would state. Think of a loving mother, then give that mother Hellish powers. That's basically Mama.

History

Some believe she's the ghost of a mother who lost her son in a war waged for corrupt means.
Some think she's just a demon who deserted Lucifer and went her own way of capturing the souls of men.

But most don't care. Mama simply is what she is.

So begins...

Mama's Story

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Well, he was mostly correct in assuming that nobody was around to watch his mournful march down blasted streetscapes. Mama rarely found other living creatures here in the slums, and the child's illusion of life certainly piqued her interest. She peered around a corner at the child's back with her white eyes glowing in the dim before slinking closer to investigate. She moved in a twitchy manner, but made no sound as her twisted feet made contact with the cracked pavement.
As her namesake would tell you, the apparition possessed maternal qualities that didn't allow her to ignore a lost child. She could smell his vulnerability, practically see it as a misty trail as the babe wandered. Cautiously, she reached out a clawed hand to touch the boy.

Certainly Mama was terrifying. She was tall and spindly and what she did wear was tattered and stained. Her limbs were stretched and twisted and her face was all but hidden by the gasmask that hissed and rattled with each exhalation. And yet she was familiar and warm...

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Her claws wouldn't let enough be though, and curiously, she poked one through the red hole in the child's middle, lurching over him. From an outsider's perspective, it would seem that Forrester was doomed. Mama had an overtly predatory nature to her movements, but none of the bloodlust to back it up. When the boy tumbled, she brought him back to his feet with a pronounced gentleness despite the sharp claws. "I didn't mean to startle you," she croaked.

The voice was maternal, something of a middle-aged woman, but it carried the scratch and pop of an old record player, a sound complementary to the static flicker that Forrester seemed to be comprised of.

Her words spoke of a smile behind that mask. "Call me Mama."

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"Everybody calls me Mama." She replied, scooting in to get a closer look until her face was level with the child's. He could see through the tinted glass of her mask's goggles to the milky white eyes beneath, scars crisscrossing each one. Her breath still rattled, even as she reached out again to pet the boy's hair.
"I take care of lost little boys and girls like yourself," she explained. "I offer love and kindness to those who become trapped in the Fade and protection to those who are afraid to cross it. I am sorry about your mother...these things happen."

The setting changes from The Abandoned Slums to Gambit's Bar

Setting

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Mama hummed to herself as she sat in the corner knitting what appeared to be shadow. She rocked back and forth, with the accompanying creaking, the legs of the once-regular chair warped to become rockers instead.

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