Setting
- 36 posts here • Page 1 of 2 • 1, 2
There was fighting and chaos all around her, tears threatening her eyes. Occasionally, the carriage would rock from the fighting, and she could hear the horses whinny in fear. She wished her father were here to comfort her, but then he would be put in danger, and she'd rather have him alive than dead in her arms.
Mary Gabrielle, was suddenly lost in thought, trying to figure a way out of the carriage, but there was none, as those men were everywhere. On top of the carriage, on every side, and behind it. She was trapped...
Then, the door to the carriage was forced down, and she was drug out by those men. "HE-" She had a hand clasp over her mouth, and was silent, tears running down her face. It hurt the way they bound her wrists together behind her back.
She'd give anything to be safe in the castle right now.
But, just before they can go back to doing what they were going to do before, a loud thud is heard on top of the carriage and then, with a crack of the reigns, it begins to take off, away from the guards and revolutionaries.
This is not good. Which is driving the carriage? Is it a revolutionary? A guardsman?
Within a minute, the carriage stops in front of another group of guards. But, instead of hearing the probably expected sound of relief, the guards point, or draw, their weapons at the carriage.
"HALT, BOY!"
The, apparently young, man at the reigns sounds a little surprised.
"H-huh?! No-wait!" But his plea is ignored and the carriage shakes a little as he is pulled from it and thrown down to the street.
"Shackle the bloody kid so I can deal with him later.."
...Perhaps...
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It is late in the evening. Night has cast its shadow upon the capital for a few hours now. Once Mary had reached safety, the king learned of the problems and her daughter's safety and was relieved. But now, she is forbidden from leaving the inner walls of the palace, leading to the rest of the city's districts.
The presence of sleep lays thick in the princess's room...
...Until a thud is heard from down below.
...Then another...
...Then another...
Finally, with one final thud, there is an accompanied sharp *CRACK!* and cheers follow with it...
After a few minutes, a click sounds and the tinkering stops; replaced by the sound of the door opening...
Still with only sounds to go by, it seems as if Mary's bed coverings are lifted and tossed back down.
"Ah jeez, where is she?" The voice sounds like a very frustrated and unamused man.
But then, the walking around stops for a second...and begins coming closer to her position...
"Ugh, there you are!" The silhouette reaches down toward Mary.
But then the silhouette looks down at the shadow encompassing his entire front side. "Oh! Oh? Well, tha's jus' rich." His voice sounds a lot more soft, now that he is in a little less of a high-stress moment.
Instead of pulling his arm back, he reaches down and pulls up the girl by her arm before pulling her back out into her room. "I'm not here for the same reason they are." When he turns back around, the moonlight reveals the man to be, not a man, but a boy. And, not a normal boy, but the peasant from before.
"They usually do, but I'm here to save y'arse!" He slightly leans over and cocks his head to his left. "G'rly."
Without even bothering to explain anything, the boy tugs toward the room's door to the rest of the palace.
*Muffled* "And that's the direction-" He opens the door to the closet..."that you'll be cau-HELLO!"-and then immediately shuts it again after realizing that the princess isn't exactly hiding. *Muffled* "Uuuuh...Eh-eem..." The boy stumbles for words after the previous sight of the girl he is trying to protect.
"I-It would be common knowledge-I actually came in that way. But, seeing as I have you with me, the floor beneath us has an easier spot to the roof. I already developed our route for escape from that route."
"Stay behind me and stick close." He makes his way to the door before opening it a crack and inspecting all the opening reveals.
"...We're clear.." The boy opens the door enough to walk through and heads across the hall before quietly hurrying down to the staircase on the end. Down the stone steps of the spiral staircase to the immediate floor below and another hallway. Once more, the peasant boy hugs the wall and moves as fast as quietness allows...but his movement changes when the sound of footsteps can be heard from around the corner at the end of the hallway. He veers away from the wall enough to get enough space to move more freely and lowers his posture, the way a big cat or bird of prey might. And then...
It happens within the blink of an eye. Just as the person comes around the corner and reveals himself to be a revolutionary, a knife seems to almost appear, stuck in his left side. The man stumbles and almost falls backward but catches himself.
...Just in time for the peasant boy to sprint closer, leap into the air, and use both feet to kick the revolutionary in the face, putting him into the wall behind him. The boy lands on his side but gets up and returns to the princess's side in preparation for him to get back up. Instead, the revolutionary just sits there, slumped over and knocked clean out.
"Alright..." The peasant walks up to the foe and removes his knife, before wiping it on the knocked out man's pants. "He is going to have one hell of a pain in his...well...everywhere when he wakes. Come on, lets go."
The boy steps up on the window sill next to the revolutionary and hops out onto the middle of the rooftop of a floor below. When ready, he turns around and calls back up into the window. "It's okay! Jump! I'll catch you!"
"And a word of advice: don't fall." The boy looks down at the edge of the rooftop. "Because, I'm not exactly certain of when you'd stop..."
The incline of the rooftop is indeed low enough to walk on but it is still steep enough to make it hard to, say, stop yourself from rolling off if you fall. With this in mind, the peasant lightly places his hands on Mary's shoulders.
(Sorry if it's short. I don't really know how to describe this, but whatever.)
Fire begins to burn in the courtyard to the right below. Fire, screaming, and fighting. The smell of war pollutes the peace-time air. At least it does one thing well in the night sky...
It practically makes the two kids moving on the rooftop invisible. The two young adults look like they could be either revolutionaries or workers at the palace. Possibly guards, for someone with poor vision. This practically makes the two kids incognito among the carnage. The two near the other end by a small stone tower, but now what? Where do they go?
"Come around here, but be careful on that slope." The boy moves out from around Mary and disappears around the corner of the stone wall on the shadowy, opposite side from the courtyard. Around the corner, the peasant boy pulls down on a rope, connected to a grappling hook, grabbing hold of a wooden post jutting from the tower. The boy looks back at the princess.
"Oh...uuuh, yeah-don't freak out...but this is part of the route I set up..."
The burn from the rope is strong but the peasant boy breathes a sigh of relief upon his touchdown. He breathes it too early though, as Princess Mary makes her way down and nearly tips the boat from her lunge upon the boy.
"Uuah!-WHOA!" Just before the two flip upside down and into the moat, the peasant slaps his hand against the little bit of horizontal surface he can get from the little bit of weeded land the boat was tied down to. "...Thank you so much...", breathes the boy in a whisper to the tiny bit of dirt and weeds. The boy lets go of the land and uses the same hand to comfort the girl against his arm, simply making movements which suggest her to find a new life jacket. "Move to the other side for me, okay? I need to use the oars." As almost a side note, he adds, "and careful, the boat isn't exactly the most stable but it's all I could get..."
"This will just take a moment." The boy, oddly seems confident as he takes out...one of his knives...
Maneuvering the boat to turn so the side faces the grate as it approaches, the boy leans toward the metal and begins to push down with the knife. "Hold on..." He readjusts the knife after looking closer at the part he was touching and makes a deep scratch with it. Then he does so again with the bar below the first, then the next, then the top and the other side before sheathing the blade again.
What could a knife do to this water grate? What is the point? Still confident, the boy calmly mutters to himself, "Here we go...", as he lifts one of the boats oars and then thrusts it against the metal grate. And...
Nothing. Nothing. What was the point of even trying the knife?
The boy draws back the oar and sharply exhales as he thrusts it again. Once more, it does not budge, so he draws it back again and thrusts it once more. This time, though...a high-pitched creak sounds from the metal. Another thrust and the grate actually comes down. "Eeh! There we go!" The boy puts the oar back in the water and starts to move the boat once more, taking it through the gap in the metal part of the wall.
"Pre-cut the grate on the other side earlier with a saw. All she needed was a good-ol' push..." The boy looks around as the two exit out from under the large stone wall. "You're my sister", the boy says as he peers around at the world....
"If anyone asks, you're my sister, Darri, and I'm taking you on an early morning ride in my first boat. I finally saved up enough coin to get myself my first boat and I'm giving you a ride to show it off." It was a long pause between the sort of command and explanation. The possible meaning behind it turn the few seconds of pause into a few minutes.
"I am your lovable idiot of a brother, Fredrik."
- 36 posts here • Page 1 of 2 • 1, 2