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Mabel Constance

"Don' you be a-lookin' at ma daughter like that!"

0 · 204 views · located in Hazicari

a character in “The Steam Caravan”, as played by Belladonna Dawn

Description

Mabel Constance

Age: 40
Job: Owner of dress shop
Gender: female
Personality: She is very strict and controlling of her children. She always handles all the orders in the dress shop. She is easily stressed and doesnโ€™t really understand why her daughter is always staring out the window.
Crush/Partner: Was married, but her husband died. She is not looking for another husband.
Appearance: Image
History: When she was younger, she wasnโ€™t a gypsy. She used to work as a school teacher in the capitol city. She was never really happy, though. She moved away to a small town by the Allimari Sea. A year later, the caravan moved through. There, she met her true love and became a gypsy, but refused to be the typical housewife. She therefore created the dress shop from her home and named it after the most beautiful name she could think of. When she had her first daughter, she named her after the shop, knowing it would one day be hers.

So begins...

Mabel Constance's Story

Setting

Characters Present

Character Portrait: Aria Constance Character Portrait: Mabel Constance
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Aria sat on top of her home as it moved through the desert. The wind whipping her red hair behind her. It was a hot day and the breeze felt good. As the sun beat down on the caravan, all people could think about was water and how scarce it was. But all Aria could do was dream. Life could be as exciting as it was dull in the desert. It depended on the day. Today, though, seemed like a dull day.
"Arabella Constance! You get you arse down here this moment!" her mother screamed from SPH below her. "It ain't proper for a lady suchus yerself to be a-sittin' on top of a SPH like some raving lunatic!"
"I'm comin' mum!" she yelled back to the dark haired woman. Most gypsies had strange accents like that. a mix between what was once known as Irish and British as well as other odd mixes. It was just something that developed. Non-gypsy folk tended to sound more elegant. Once you're in the caravan, though, you tend to pick it up. "Mum, I don' understand, all the other girls are up on the rooftops of their homes a-dancin' an' singin' every night--"
"And you'll not be one of 'em! Ari, I need ya to help with the shop tonight--"
"Tonight?! But, ma! It be Lissy's comin' out party!--"
The caravan came to a sudden halt, jerking the SPHs. Aria and her mother lost their balance for a moment.
"I hate when they do that!" he mother murmured pulling herself up.
"Ma, you said I could go to the partie!"
Her mother sighed. "Well, you best hurry up an' get dressed. You 'ave an hour!"
"Thank you, mum!" she said kissing her on the cheek and running to the latter that she climbed to the story of the SPH that her tiny room was.
"But you better be a-workin' mighty hard come tomorrow!" her mother called after her. She sighed and looked at the shop. A few things had fallen over and noe it was a mess.

Setting

Characters Present

Character Portrait: Mabel Constance Character Portrait: Phileas Downs
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#, as written by Cypher
Phileas's workshop was, as always, in a state of considerable disarray. The copper tubes that ran along the walls, connecting to various beakers, vials, jars and alembics of every shape, size, and content dripped with condensation from their cooling cargo, and everywhere was the hiss and grind of machinery; some pieces sitting with their guts exposed to the air, others too delicate for the wind and the sand and sealed tight within cases of wood, of clay, of glass, of steel. Phileas's workbench was scattered with small hand tools and magnifiers, and the inner workings of a new and interesting piece of equipment sat carefully organized on a white sheet.

Phileas himself was not at the work bench. In the small nook of a kitchen set off aside from the main work area, the inventor busied himself with a tea ball and a pot of boiling water, feeling the autopilot of his house carve its way carefully across the desert sands. He didn't know where, exactly, he was in the formation, but he knew he was somewhere towards the middle as always, and he didn't really bother with worrying about it except for when they hit a town--which, as of late, was unlikely. They'd been in the desert for several weeks now, charting this great hostile sea of sand. He was repulsed by this place. Why didn't the wanderers just settle in the mountains? Life would be just as difficult, but it wouldn't be so blisteringly hot and... Sandy. The heat Phileas had expected. But the sand was an unexpected nuisance. Not the fact that there was sand in the desert, but just how adept it was at infiltrating everything. It snuck through cracks in the houses, it blew in through windows, it seemed even to slip up through the floor. Every open slot was a way for sand to get into the houses. Which led Phileas to wonder: If the SPH's frames were so poorly suited to traveling through sand, then why in the hell were they out there?!

Holding his piping hot tea in one hand, Phileas made his way back out to the workbench and carefully started to reassemble the gun-like object on his desk, bit by tiny bit. One miscalculation (or errant grain of sand) could make the thing a time bomb when it was operational; Phileas was prided in the caravan for that kind of thing generally not happening to his weapons, so he didn't want to break a good streak. Nevertheless, he was nearly done, slotting the final cogwheel into place within the frame, when his whole house shook and rattled to a halt. Phileas felt himself thrown to the floor from the force of the house's brake mechanisms, and despite not being injured (or more importantly, losing the gun) he felt a new hole in the sleeve of his shirt.

"Agh, God still me bones..." Phileas shook his head from side to side slowly, looking at the tear right along the seam of the shirt. "Well, I 'ad tae visit the tailor this week anyhow... May's well get tha' done now." The inventor walked to his sleeping room and picked up a few similarly damaged shirts, then booted his door open into the baking heat of the desert sun, one hand still gripping his new toy. It must have been an odd sight, seeing the weaponsmith emerge from the womb of his low-slung house with one arm swathed in various linen shirts, pants and waistcoats, the other hand clutched tight to a large and matte-black instrument of death. If Phileas knew this, he didn't care. He was down to his last shirt.

~~~

Some time passed as Phileas wandered up the stalled convoy, eventually coming to Mabel's dress shop. He didn't bother with knocking, merely stepped inside, holding the gun in one hand and his shirts in the other as he had been for the last few minutes. He noted the chaos in the interior and immediately stooped to place his gun in the umbrella holder, picking up some of the various and sundry bolts of cloth, spools of yarn, and other textiles and materials and returning them to their places on the shelves. He eventually looked up and noticed Mabel somewhere in the vicinity.

"Mabel!" He said courteously, giving a wave and a small half-bow. "Can I ask a favor of yeh? Got some shirts what need a rush repair 'ere, if you could be sweet an' get those done fair me. I'd be happy t' pay ye back with any favors ye may've had in mind. If'n ye're still havin' that rodent problem, for example?" He quirked his brow upward over his brown eyes, smiling slightly.

Setting

Characters Present

Character Portrait: Aria Constance Character Portrait: Mabel Constance Character Portrait: Phileas Downs
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Mabel looked up from cleaning up a mess of fabric flowers and ribbons to the young man. "Aye, the rodents be running around like it's their palace!" she shook her head, "And, aye, I can take care of them shirts for yeh right now ifn yeh want." she held out her arms to take them.
"Aria! Hurry up or ye'll be late!" Mabel called.
---
Upstairs, Aria was brushing out her hair that she usually wore up. In the slightly revealing green dress that was likely considered quite conservative compared to what the other girls would be wearing, she felt lovely. It was unusual for anyone to see her so...pretty looking. She almost always wore something that she made quickly from old scraps of clothing. Now she felt beautiful. Looking out the window at the night sky, she thought about how quickly night came around these parts.
"I'm coming, mum!" she called and quickly adjusted a glittering headband. Then she rushed down the stairs, stopping dead in her tracks at the sight of the man.
"Don' you look a sweet lil thing! Now, who be takin' yeh thar?" her moth asked.
"Nobody, Ma. I'll be walkin' there meself."
"To Elissabetta's SPH?"
"Yes, Mama."
"All the way on the other side of the caravan?"
"Yes, Mama."
"At this hour?"
"Yes, Ma-"
"Good heavens, lass! Ye'll be eaten by the wolves! You didn't think to ask someone to go with yeh?"
"I tried, mum, but no one was around-"
"Ye're absolutely not a-going! Not without an escort! An' it certainly won' be me!"
"But, Ma!"
"Arabella, behave yerself in this young man's presence!"

Setting

Characters Present

Character Portrait: Aria Constance Character Portrait: Mabel Constance Character Portrait: Phileas Downs
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#, as written by Cypher
"A'course, ma'am. Rats seem tae like th' caravans; I cannae fathom why. We barely have 'nough food fer ourselves, let 'lone a colony a' rats..." Phileas smiled pleasantly at Mabel and nodded; but the smile started to go brittle and awkward when she called Aria. He removed his hat from his head and wringed it slightly nervously between his hands. He hadn't expected that.

And he reaaally hadn't expected Aria to appear on the stairs in a beautiful dress. His eyes immediately went a bit wide and boggle-y as she appeared in the store area of the house, looking every inch as beautiful as any other woman in the caravan, if not moreso. He looked down at the floor guiltily, and then quickly turned around and looked at Mabel, distracting himself. He was about to speak when Mabel and Aria started going back and forth about something or other. She was visiting... Elissaetta's house. Wasn't she coming of age today? Phileas had been invited to the party, but he had been hard at work the last few days and the distraction was unnecessary so he'd disregarded it.

Now, on the other hand...

Phileas sighed, holding his hat in one hand. He looked over at Mabel, his face still looking a little nervous (which is why he wasn't very good at poker; his face was quite emotive when it wasn't hidden behind goggles and a breathing mask). "Uhm... Miss Mabel, I could take 'er fer you, if it'd set yer mind at ease. Promise I won't get 'er killed or eaten by wolves." He smiled lightly, walking to the door and lifting his shirts from the counter, and his gun from the umbrella stand.

"An' I promise, I didn't come 'ere carryin' a gun on purpose. This's just a piece a' crazy random 'appenstance, ma'am."

Setting

Characters Present

Character Portrait: Aria Constance Character Portrait: Mabel Constance Character Portrait: Phileas Downs
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Aria turned a shade of pink which she quickly hid. Mabel, though saw this as a great idea. "Aye, he could take her, couldn't yeh? I 'av a sort of deal for yeh, lad. If you can get me daughter to the party an' back 'ere safe n' sound, I'll fix up yeh shirts for yeh. Can I trust yeh?"

"Mum-" Aria began, but she was quickly silenced by her mother.

"An' will you be a lady in his company, Aria?" she asked her daughter.

In truth, she was horrified to have to walk with someone. Especially someone who seemed so mature. Phileas didn't have any parents taking care of him like she did. He was completely independent. Aria wanted a piece of the life he had.

And it was a long walk. Aria looked up into her mother's eyes, though, and gave her confident reply of, "Certainly, Mum."

Setting

Characters Present

Character Portrait: Aria Constance Character Portrait: Mabel Constance Character Portrait: Phileas Downs
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#, as written by Cypher
Phileas gave Mabel a slightly dumbfounded look. She was going to try and wheel-and-deal for the shirts in exchange for his taking Aria to the first communion? What about her rat issue? The inventor tilted his head slightly, perhaps a little confused by the situation, or perhaps his head had just wandered into the clouds as it was wont to do. Eventually, though, he realized that he was holding a live weapon inside of a house that was not his own, with two civilians inside, one a (very attractive) girl.

Phileas immediately lowered the gun, the large barrel nearly scraping the floor as he held out the shirts to Mabel. "I suppose ye have yerself a deal then, ma'am." He smiled sheepishly and placed his shirts on a counter near the old seamstress. He sighed and lifted his weapon to one shoulder, resting it there with the stock in his hand, as he turned, still looking slightly nervous, towards Aria.

"Well'n, we'd best get moving, I suppose. Unless ye wanted tae teleport yerself tae th' party." He moved slowly across the floor and propped the front door open with his foot, gesturing for her to exit first. As he stood there, he looked back at Mabel. "An' I'll be back tae look at yer rat problem tomorra afternoon, if tha's okay with ye, madame."

Setting

Characters Present

Character Portrait: Aria Constance Character Portrait: Mabel Constance Character Portrait: Phileas Downs
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Mabel smiled as she collected the shirts in her arms. Aria, without making eye contact with the man, passed through the door. The dress she wore was luckily fitted so that she didn't get stuck in the door. She wondered how long she could make it without talking to him, but knew it was inevitable. She would have to eventually. Other than that, her mother would have a fit. But she really couldn't just begin a conversation. It wasn't right. He would have to start.

Kicking a rock with the toe of her shoe, she wondered if there really were wolves out there. It was something she'd like to ask the man, but would again have to wait for him to talk to her. At least it was a bit cooler without the sun to boil the land like a pot-grown cabbage at a wedding. It was pleasent now.